Showing posts with label sketchbook. Show all posts

New Sketch Blog on TUMBLR!

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I just created a new Website!! A Sketch Blog on TUMBLR.

In this website you will find:

  • Process of my last illustrations.
  • Some random Anime/Manga, Machines, boys, girls, fantasy, creatures sketches.
  • Maybe one or other tutorial.

Feel free to visit me!! Here
Thank you very much!! See you next time!!

Remember to take a look at Ereggia, my Webcomic published in MangaMagazine.net

Previous Posts:
Become more Productive in a few Steps
Manga Studio 5 Review
Ereggia is here
12 Tips for Webcomic Beginners
Tutorial: Create Scenery/Background
Improve your sketch abilities in 10 steps

Improve your Sketch abilities in 10 steps

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Hello, everyone have a very good day!, it's 21 December, God sure willing this time is probably the last time I write for you :( ... Just joking, hehe, the world won't end so easily, So, let's go into the topic for today. I'll show you one other trick to improve your drawings and especially your sketches, these are little clues I've discovered through my growth as an artist and I want to share with you today! Let's begin:

1. Always when you go to try to start making sketches take about 5 to 10 minutes to perform hand exercises (warm up), later I will make a tutorial on how to do exercises to warm the hand (Step 4) before drawing, I recommend to watch for my Blog for To learn how effective this method.

2. Use some background music when working, an important part of the creative process is always have something to get some inspiration, I turn on the radio almost always when I need to relax and concentrate on my work, sometimes I seek for some classical music collection, however at night which is when my Creativity goes a genius "aggressive" I turn to my favourite music: indie, rock, alternative music, electronic music and some other genres. Always draw with the music that makes you feel comfortable, stay in the mood.

3. Be your own critic, look at your drawings, whenever you feel something strange is that in fact there is something wrong, it's not your imagination, refusing to correct the errors that you see at this stage of a design may end up being a big mistake for when the time of making the final art comes, always remember that a sketch should be clear and easy to understand for the person who will do the final artwork.

4. Always try to be basic (in a good way), try to do simple and light forms you already know, a basic structure with a rectangle one another triangle and four circles can easily form a large car the details are up to you, the basic shape can give you some keys to go to the next step, is an evolutionary process, every step you go the most close you are to the finished artwork, always remind this: The next time you want to draw something your mind has acquired the ability to draw that again better and better than before, and you will need less time to achieve it.

5. Having references is always good and bad at the same time, and that's because often we want to draw like an artist we admire, it's not bad, in fact it is very good way to inspirate you to learn, you can look out on their techniques, projects and processes to devise your own. Personally I always admired the work of Tite Kubo, Jan Van Eyck, Michelangelo and other several artists like Artgerm or Yuumei, not necessarily only cartoonists. The trouble about referencing from other artists is when you start focusing too much on their work and you don't stop to look at your own work and developing your own style, this is a serious part, because we can fall into comparisons and worse on, the imitation. The good part is that our referents can serve us as support material for developing our style, and always move on as individual artists and authentic, instead of trying to move towards being an artist who is not us.

6. Drawing always the same kind of person, the same object, or always use the same theme, it can be part to help you create your own style but if  it is carried to the extreme it can kill you when you need to draw something different, I recommend you explore other styles, other objects, e.g. have you drawn light lamps? Have you drawn a giant robot like a super-robot-chicken? Have you thought of drawing old people? Do you have any own characters? Why not draw them on their childhood, in their middle age and old age as well? When one varies the subjects in which one works one can emphasize one element that makes it easy, normal, common, difficult, strange, horrible and even charming, the artist is working to identify and point out that he likes to have a mental reference to your style and give that strength when drawing that object or that person.

7. If you like to draw a human, or animal, I can recommend to my useful links section in the sidebar of this Blog, you will find several links where you can perform exercises in anatomy, let me say that those wonderful exercises helped me so much in this time, you can spend from about 20-30 minutes a day you will start learning pretty quickly how the human or animal body works.

8. Try sketching only with a pen, is one of the things I'm always recommending to people who want to draw better, in fact it is a way to control the line, when you become unable to erase the lines you'll have to think twice the line you want for your sketch, first you go to into a conditional mode too, to think that you can grab a slight trauma without the pencil/eraser, but this exercise will help you gradually improve your ability to draw, the more you do it will be better, and you'll get used to make a stroke with more identity and ease.

9. Take your time, speed comes after you've mastered the technique, usually many people want to imitate the speed of professional artists in Youtube or Deviantart, well it's normal to want to get to this point someday, hell yeah! we all want to do that, but remember that you should know how to walk first and then you can learn how to run.

10. For each draw you have you will approach an inch closer to the goal you want to reach, whether small or horrifying, is cute, is a work of art that you cherish for the rest of life, and so on. My advice in this part is to fill at least one sketchbook a month, fill it with whatever you want to draw, perhaps at the beginning you must be thinking this: "A whole book? This guy is crazy!" I'm neither crazy nor sane, I rather an intermediate position, hehe. Many artists I admire had lots of notebooks filled, they usually fill 2 or 3 sketchbooks in a month with very epic drawings, most of them in pen or ink, that's so insane,so when you start to fill and fill sketchbooks you can feel like "I'm on the right way every time I do more drawings more easily and fluently".

Now I'm giving you a little gift, something really from my inside, try to keep this in your pocket, you could not miss the "Bonus track" of this publication, I think this is one of the most intimate advice I can give you, I learned this from a teacher of arts at the university, at first his exercise seemed pretty weird, but I said: "Well, why not?". The exercise was to always bring with me a small sketchbook, really tiny (could go into my coat pocket with no problem), then with the "little notebook" you could draw what you wanted anywhere, so the teacher told us the following: "I want you to fill this book with things you like to do, what do you like watch, things you admire, things that catches your attention in good or bad way and if it is possible I want the drawings or cuts that you will add to the sketchbook in colour".

The idea at first seemed odd, but when I filled the booklet I realized that in one way or another I began to realize the things I liked and I didn't know I liked them so much!, so I could easily make a mental map of my identity as a person and also as an artist (likes/dislikes). When you feel you can not go, your goal is farther than you can walk, run or crawl to it, have a look at your life, who you are, and that makes you to feel like you can always give one more step for it. Never give up!.

Identify ourselves first helps to identify the world around us.

Thank you for reading this Blog post, I'll be watching forward to any questions, suggestions or comments from you. I invite you to know my Deviantart and my Facebook page, so you can see new entries, news and the announcement of my upcoming Webcomic series. Do not miss it! Regards, until next time.

Tutorial: Create Scenery / Background

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Hello again! You are welcome to a new entry to my Blog Rizian Larc, this time I will show you my method to create and compose scenarios through small keys, instructions and an example I made specifically for this exercise, let's start!

Materials:


Traditional: 

- Sheet of paper or paper of your choice, preferably a disposable paper or already used.
- Colour chalk or colours (any of these will do).
- Eraser
- Hard pencil or mechanical pencil, also a soft pencil to add shadows.
- Pen or Ink pen.


Digital:

- Tablet (It can be Wacom, Genius, the one you have can be good).
- Photoshop, Paint Tool SAI, Autodesk Sketchbook Pro, any paint program of your choice will be perfect.

The background design has always been a problem for most people who want to enter the world of comics or illustration in general, we have all had problems with the scenarios and it's very normal because our eye is more accustomed to fixed at one point in time instead of appreciate all at once, for this will show you my tactic to cheat a little our eyes.

First, I call this technique the "stain", and I use it when I need to compose quite a scene in my comic or just to make an illustration with background included. The stain (colour) will help us to shape the basic forms that exist in our mind without having to go directly to add details and details, and there's the first mistake we can commit when drawing backgrounds, detailing and detailing at first. Let's proceed to see the image to keep explaining this step:




This technique helps to capture the basic shape of what we imagined in our minds so that it does not slip from the mind and stay longer the structure of what we are thinking, with basic shapes and a thick brush (colour) now draw the landscape stain that was on your mind in a short period of time before the idea escapes out of your mind.

It is important and I recommend doing this step with the colour of your choice and we will superimpose layers either traditional or digital mode to distinguish the colour of the final lines. Now we go to the next step:

Remember: If you're working in digital I recommend lowering the layer opacity to 15 or 25% where the stain is and create a new layer to keep working and if you're working in traditional I recommend a clean eraser to soften a little the stain and to start to work more freely about it.

Second, now that you have cleaned and softened the spot, now you can proceed to add details to the landscape that crossed our mind just now. Try to always shorten adding details and forget about perfection by this point, we need only identify basic shapes in this part of the process, which is the most important because that will define which elements will have our illustration. I recommend following this step with a coloured pencil slim pencil instead of a conventional gray traditional pencil for the reasons I mentioned above in the previous step.





With the added details and you have a base of what you wanted to achieve at the beginning, but in the process will occur to you "Hey, I just think adding new things possibly are going to see much better", no problem!, adding new things is not a sin, rather make it more harmoniously composition, in this way we can say that "we have deceived our eye".

I recommend you always try to superimpose objects in your compositions, or places focus in a "clear" in them to make the illustration shows what we want to show and not just be "a cute background" which is not what we want to accomplish in this exercise about compositing scenarios. I'm explaining this a little more in a newer entry about background, is called Composition and placement in backgrounds.

Always try to add as much detail as you can in this step so it can help you move to the next one, because the more lines you have drawn in this sketch the easier it will be to define the details and the stage itself.

Third, having our sketch now we can begin to define what is what, for example, the roof is a triangle, the rectangle is a fireplace, the two cubes are two wooden boxes, and things like that. For this step now I recommend using a thin brush of black in digital or a 0.5 or 0.3 mechanical pencil if you're working in traditional.




Regardless if you have a detailed or simple style as I mentioned in my post on "The Power of the Sketch" you can choose whether to add more or less details to each of the parts that you defined as objects in the image. Here we should already have completely the details that appear in our final image regardless of whether you added lines of force to it or not, that's choice of each artist.

Fourth, this is the last step in the process that I devised to compose a scene, is one of the most important to "prepare" our sketch before final production, whether coloured or just inking. This step is called the "shadow" here with a soft pencil or a brush medium in our drawing program we will add our drawing some shadows where needed.




It is always good to plan where they will go the shadows of our sketch as a guide to the finished illustration, and when we go to colouring or inking know where the light comes and not get to experience or invent shadows never have planned for the finished illustration.

Well, I hope you have served my tutorial on how to compose scenarios, I will deepen this and more issues related to drawing on the Blog, I'd love to know if this tutorial has helped you as I am new to the "education" and would love to know your questions or suggestions. Remember to always be attentive to answer questions and other concerns, to follow the Blog I recommend my page on Facebook, Twitter and also the subscription button on the sidebar.Thank you for reading my tutorial and see you next time! Greetings!